Merely making a great Indian Television Serial.

The fundamental mantra in making an Indian television serial is that it must certanly be never ending. It's to go on till scrapped by the channel producers.

Predicated on observations through the years the next guidelines have been listed since many essential.

The Storyline: As we've stated previously the must mantra above the storyline should ideally have maximum elasticity. Teri Meri Dooriyan Means the storyline has to be structured in such a way that it can go on endlessly taking in new angles or triangles or developments or shock treatment or altruistic twists or directorial wish and that it should not get caught with a dead end. You merely cannot afford to aim at a most logical end, because you must aim at earning the maximum revenues possible-both for you personally and the TV channel. If revenues are observed to be dipping the channel producers will automatically and abruptly end it. This does not mean that the storyline ends there.

The Characters: Following as a corollary from the above mentioned the characters of one's serial should really be immense in numbers and stupendous in characterization. Mostly huge joint families are preferred with distant relatives thrown in as and when necessary. Please do not set any limits on the varied couple you can make ranging from the granddad-grandma someone to the fantastic grand son or daughter vs. great grand in-law couples, if possible. You need to likewise have a rich reserve of dormant characters just to create them alive and kicking depending on the twist-wish necessity. Katha Ankahee And, also for the dreadful eventuality of the serial inevitably heading for a most logical end you are able to just withdraw from the reserve and manhandle it to the constant track again. Say no to the frowns and scowls of the channel producers. Always.

The Location: You've no choice here because of the above mentioned conditions. You need to also have a huge posh bungalow with a gigantic hall and inner staircases ultimately causing the galleries and rooms above. This requirement is irrespective of whether your serial is urban or rural based and if the protagonist is a computer software billionaire or perhaps a down seriously to earth cultivator. You need to understand, you need the area to maneuver your abundant volume of characters around and showcase their emotions. You'll need the demonic hall, because during a remarkable moment you've to make your entire characters there and go on taking their reaction close ups endlessly with the cameras doing go-rounds or vertical assaults.

Before we move on to other crucial guidelines let us take a break. Yeh Rishta Kya Kehlata Hai serial We do so in sympathetic acknowledgement of the nut breaking significance of breaks for a serial.

Chinmay Chakravarty is a professional specialized in the creative field with over two decades of experience in journalistic writing, media co-ordination, film script writing, film dubbing, film & video making, management of international film festivals and editing of books & journals. Experienced in providing professional services in these related fields. Presently employed in Mumbai Doordarshan as a News Editor.